In a video shared on his YouTube page, Ram Gopal Varma is seen speaking about Hrithik Roshan. The video is going viral
Bloody Beggar: Kavin to star in Nelsons maiden production
Bloody Beggar is directed by Sivabalan Muthukumar, and it also stars Redin Kingsley
Asim Riaz Drops Romantic Photo With Mystery Girl After Breakup With Himanshi Khurana: 'Life Goes On'
Asim Riaz was previously dating Himanshi Khurana. They were together for four years before they announced break up in December 2023.
Hold Your Breath, Shriya Saran Might Take It Away With Her Enchanting Classical Dance
For her special performance, Shriya embodied regal elegance in an ivory lehenga skirt set.
Filmmaker Nelson Dilipkumar To Produce Bloody Beggar, Featuring Kavin
The film will feature actor Kavin in the main role. Sivabalan is directing the film.
ADOR CEO Min Hee-jin Gets Support From Ex-SM Entertainment Executive Amid HYBE Conflict
In his post, David also called out HYBE for allowing the feud to escalate and become public.
Abhishek Malhan Takes a Dig At Elvish Yadav? Former Trolls YouTubers With 'Bhaade Ki Gaadi'
Both Abhishek Malhan and Elvish Yadav participated in Bigg Boss OTT 2, which was won by the latter.
Thalapathy Vijay Did Cameo In This Akshay Kumar Movie, Any Guesses?
Thalapathy Vijay appeared in the hit song Chinta Ta Chita from the movie Rowdy Rathore.
Producers Of Uttama Villain File Complaint Against Kamal Haasan Over Unfulfilled Promise
The actor promised the makers to star in another film to compensate for Uttama Villains failure.
This 1999 Hit Punjabi Party Song With Sad Lyrics Still Rules The Hearts Of 90's Kids
Released in 1999, the Punjabi track Ishq Tera Tadpave became all the rage and even after 25 years, its charm refuses to die down.
What Lily Collins, Camille Razat And Lucas Bravo Have To Say About Emily In Paris 4
Netflix recently delighted fans by announcing the official release date of Emily in Paris season 4.
Ashutosh Rana And Vijay Raaz's Murder In Mahim Trailer Promises Intense Psychological Drama
Joining Ashutosh Rana and Vijay Raaz for Murder In Mahim are actors Shivani Raghuvanshi and Shivaji Satam.
Oscar-Winning Actress Michelle Yeoh Receives The Presidential Medal Of Freedom I WATCH
Academy award winner Michelle Yeoh has added yet another feather to her already illustrious cap! The 'Everything Everywhere All At Once' star was honoured with the Presidential Medal Of Freedom by US President Joe Biden! Watch the video for more.
Throwback Gold: Rishi Kapoor, Anil Kapoor And Jackie Shroff At Raj Kapoor's Birthday Party
A throwback video from Raj Kapoor's 1987 birthday bash has surfaced online, featuring a star-studded gathering of yesteryear superstars.
Nick Jonas reveals he has Influenza A, apologizes to fans for not being able to perform
Nick Jonas, singer and husband of actress Priyanka Chopra, recently dropped a video revealing that he has influenza A. Nick took to his Instagram account on Friday, to explain that he won't be able to perform onstage due to his sickness. The singer apologized to his fans for 'disappointing' them and mentioned that the Jonas Brothers' show dates have been changed. The trio, consisting of Kevin Jonas, Nick Jonas, and Joe Jonas, was set to perform in Mexico this weekend. In the video, Nick said, Hey everybody, it's Nick here. I have some not-so-fun news to share. A couple of days ago, I started feeling kind of rough; I lost my voice when I woke up and grinded that night out...Over the last two, two and a half days, it's gotten progressively worse. I was basically in bed all day yesterday, fever, body ache, sore throat and really bad cough. He added that after the doctor did a checkup, his health hadn't gotten better. I just need to recover and beat these things. I'm so sorry. I hate disappointing you guys. You do so much to support us. A lot of you have travelled out to be at that show. Just want to say I'm heartbroken over this. Again, I'm really sorry, but I gotta try to beat this thing, he added. View this post on Instagram A post shared by Jonas Brothers (@jonasbrothers) Sharing the video on his Instagram, Nick wrote a long caption that read, Hi guys. I have come down with the nasty strain of influenza-A that's been going around, and I'm not able to sing at the moment. We always want to be able to give you guys the best show and I'm just not able to do that for these shows in Mexico at this time. These shows are now rescheduled for August.Mexico City: 8/21 and 8/22 Monterrey: 8/24 and 8/25 We are incredibly sorry for the inconvenience this causes some of you. Love you all. You're the best fans in the world. Will bring 120% in August! The Jonas Brothers will perform in Ireland next, followed by the UK, Austria, Germany, Spain, Italy, and Switzerland in September. Their final show will take place in Poland on October 16. They kicked off their tour this year in New Zealand in February.
Elvish Yadav Accused of Money Laundering By ED, Bigg Boss OTT 2 Winner To Be Grilled Soon
Elvish Yadav was arrested on March 17 by the Noida Police in connection with its probe into the suspected use of snake venom as a recreational drug in parties that were allegedly hosted by him.
Park Sung Hoon Opens Up About Facing Hate Comments For His Role In Queen Of Tears
During a guest appearance on You Quiz on the Block, Park Sung-hoon shared an incident where a woman at a restaurant reprimanded him for his behaviour, mistaking it for his real persona.
Dharmendra Turns Paparazzo To Capture Bobby Deols 'Animal-Print Moment'
Dressed in a grey leopard-printed shirt, Bobby flaunted his beard and minimal accessories in the pictures.
Now, Kapil Sharma Joins The Chorus In Praising Sanjay Leela Bhansali's Heeramandi
Kapil Sharma gave a virtual shoutout to singer Rajan Hasan for singing the soulful track Sakal Ban for Sanjay Leela Bhansalis OTT debut web series Heeramandi: The Diamond Bazaar.
Farah Khan Reunites With Jhalak Dikhhla Jaa 11 Winner Manisha Rani For 'Dabba Andolan'
Among the many reactions, musician Vishal Dadlani also dropped a witty comment on the video.
Suhana Khan's Picture-Perfect Selfie With Brother AbRam, BFFs Ananya Panday And Shanaya Kapoor
Dream Team, Suhana Khan captioned the post
Shriya Saran & Mrunal Thakur Look STUNNING As They Walk The Ramp For Anu Pellakuru I WATCH
Shriya Saran and Mrunal Thakur raised the temperatures on Friday, as they walked the ramp for Anu Pellakuru at Bombay Times Fashion Week 2024. Watch the video for more!
Adhyayan Suman Felt Jailed in 4-Floor Penthouse Due to No Offers: Ive Been Spoiled By My Dad
Adhyayan Suman also admitted that his parents supported him from succumbing to drug abuse and alcoholism.
'My Daughter Thinks I Do Make-Believe': Priyanka Chopra On Balancing Work And Motherhood
In a recent interview, Priyanka Chopra discussed being a working mother and experiencing mom guilt wherever she goes out to work.
Kingdom Of The Planet Of The Apes Receives Glowing Early Reviews: 'Summer Blockbuster'
While many critics believe that Kingdom of the Planet of the Apes might not be the best in the sci-fi franchise, they, however, agree that the movie is a fantastic continuation of the plot.
Taapsee Pannus Amsterdam Trip Is All About Canal, Cycling And Sibling; Shares Beautiful Photos
Taapsee Pannu and Danish badminton coach Mathias Boe got married in Udaipur recently in an intimate ceremony
Kriti's next script... Kajol in throwback mode... Rashmika sends out her heart...
Janhvi Kapoor Gives A Tour Of Her Family Vacation Home Now On Airbnb. Watch
Our family vacation home is on Airbnb. No shoes required, wrote Janhvi Kapoor
Rosamund Pike joins the cast of 'Now You See Me 3'
Actor Rosamund Pike has officially joined the cast of 'Now You See Me 3'. Details of her role in the third installment of the magic-themed franchise have been kept under wraps, but she will have a pivotal role in the film according to a press release. Pike joins the previously announced cast members Justice Smith, Dominic Sessa, and Ariana Greenblatt. Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, and Morgan Freeman are all returning for the threequel Zombieland director Ruben Fleischer is set to helm 'Now You See Me 3' with Eric Warren Singer, Seth Graham Smith, and Mike Lesslie penning the script. Plot details for the film are unclear at this point, but the film is set to once again delve into the world of the illusionists. The story will not just follow the Horsemen but also introduce the audience to a new generation of magicians. Backed by Bobby Cohen, Alex Kurtzman of Secret Hideout, Meredith Wieck and Chisom Ude will oversee the project for Lionsgate. Pike, best known for her performances in movies such as 'Pride & Prejudice', 'Gone Girl' and 'I Care A Lot', most recently starred in Saltburn, which earned her BAFTA and Golden Globes nominations. She will be next seen in the psychological thriller 'Hallow Road' and in 'Lionsgate' and Guy Ritchies 'In the Grey'. She will also be seen in the third season of her Prime Video series 'The Wheel of Time'.
Nothing, Just Disha Parmar Dropping Another Cute Picture Of Daughter Navya
When the Selfie game wasnt Strong, Disha captioned the post alongside a few photos.
Janhvi Kapoor also reached the stadium to support Mumbai Indians and was seen promoting her next film Mr & Mrs Mahi.
Taarak Mehta Ka Ooltah Chashmah Actors To Be Questioned By Police In Gurucharan Singh Missing Case
Gurucharan Singh, who used to play the role of Roshan Sodhi in TMKOC, was last seen on April 22.
Sai Ketan Rao Reveals Reason Behind Imlie Going Off Air: 'Audience Couldn't Digest...'
Sai Ketan Rao shared that the death of the character Agastya did not resonate well with the viewers.
Kristen Stewart, Oscar Isaac to star in 'Flesh Of The Gods'
Kristen Stewart and Oscar Isaac are teaming up to star in a vampire thriller, Flesh Of The Gods. The film is helmed by Panos Cosmatos, who is best known for his 2018 action-horror Mandy. The story revolves around Raoul and Alex, a married couple in the 80s. They live in Los Angeles and every night, they leave their posh apartment and enter a wild, exciting nightlife scene. One night, they meet a mysterious person named Nameless and her group of party-loving friends. Raoul and Alex are drawn into a flashy, strange world full of fun, but also danger and excitement. Oscar Isaac is set to portray Raoul and Kristen Stewart will portray Alex. Adam McKay and Betsy Koch of Hyperobject Industries and Gena Konstantinakos and Isaac for Mad Gene Media are producing the film. The script is penned by Andrew Kevin Walker based on a story by Cosmatos and Walker. The film is to start shooting later this year. Kristen Stewart is best known for her roles in the Twilight franchise, Panic Room, Love Lies Bleeding, Spencer, Crimes of the Future, and Personal Shopper. Isaac Oscar is best known for his roles in A Most Violent Year, Inside Llewyn Davis, The Two Faces of January, and Ex Machina.
'Usire Usire' movie review: A lacklustre film that gasps for quality
Usire Usire comes on the screen with delayed anticipation, yet manages to pique curiosity as it welcomes back cricketer-turned-actor and Bigg Boss Kannada contestant Rajeev, alongside a guest appearance by none other than star Kichcha Sudeep. A film that transcends caste boundaries and adds a valuable climax rooted in a real-life incident, will this promise a breath of fresh air? Set against the backdrop of middle-class life where caste is but a faint whisper, the film follows the intertwined lives of two families from different religious backgrounds. Manu (Rajeev Hanu) and Saira Bhanu (Srijita Ghosh) defy societal norms with their childhood friendship, only to be separated by circumstances when Saira moves to a different town with her parents. Fifteen years later, Manu finds himself entangled in the complexities of love upon reuniting with Saira Bhanu in college. Though Manu initially faces hiccups, his romance with Saira Bhanu blossoms, but against the parents wishes, leading them to elope and start afresh. However, their happiness is short-lived when Manu discovers Sairas severe heart condition. The film raises questions about the endurance of childhood innocence and the sacrifices made for love. As Manu struggles to save his beloved, the narrative crescendos to a climax based on real events, with Sudeep adding value to the film with his emphatic performance. Despite its promising premise, Usire Usire falters in writing and execution. The director loses the plot early on, leaving crucial scenes and character developments disjointed. While Rajeev shines in action sequences, his portrayal lacks depth. Due to a lack of clear vision, the sequences involving Rajeev, which feel repetitive, become tedious to watch and test our patience. Srijita Ghoshs performance feels out of sync with the rooted flavour that the film was going for. Guest appearances by noted Telugu actors Ali and Brahmanandam add little substance, while attempts by Manju Pavagada at humour fall flat, especially his attempts at physical humour, with exaggerated body language. The performances of the rest of the actors including Rajesh Nataranga, Sadhu Kokila, Devaraj, Suchendra Prasad and Tara go unnoticed. Except for the climax and Sudeeps blink-and-miss appearance, with a poignant message, Usire Usire falls short of its potential, delivering a tedious watch marred by inconsistencies. Even with an emotional core, the poor execution leaves a lot of the films potential untapped. Usire Usire Director : CM Vijay Cast: Rajeev, Srijita Ghosh, Ali, Brahmanandam, Manju Pavagada, Rajesh Nataranga, Tara, Sadhu Kokila, and Devaraj Rating : 2/5
'Kangaroo' movie review: Perfect balance of thrills, suspense and emotions
Imagine the tenderness of a kangaroo nurturing its childa universal image of parental dedication. Now, picture that essence transposed into the soul of a film that is wrapped in the cloak of a crime thriller with a chilling touch of horror. Kishore Megalamane crafts this narrative through a series of deaths, tallying up to a staggering 125, with nearly 70 classified, including 12 women, as suicides. Set against the backdrop of Chikkamagaluru, the films focal point of investigations is the Anthony Guest House. Enter Prithvi (Aditya), a dutiful police officer transferred to Chikkamagaluru thrust into a mission that demands sacrifices, a notion accepted by his understanding parents as well as his pregnant wife and psychiatrist Meghna (Ranjani Raghavan). As Prithvi immerses himself in his new assignment, a chilling revelation emergeshis own brother (Nagendra Urs) is counted among the suicide victims. What commences as a whodunit swiftly morphs into a thriller, offering audiences an edge-of-the-seat experience sprinkled with horror. Yet, amidst the adrenaline rush of the investigation lies an emotional core, lending justification to the unfolding chaos. At the outset, director Kishore Megalamane boldly presents a tale that defies convention as he weaves together elements of crime and horror, while striking an emotional chord with equal measure. My attention was caught when Prithvi makes his psychiatrist wife Meghana a part of the investigation, which transforms into the linchpin of the story. Through her character, the essence of maternal care is delicately woven into the fabric of Kangaroo. From the moment Prithvi assumes command of the investigation, Kishore keeps audiences spellbound, stitching together all the characters and events. Every twist and turn, every interaction with fellow officers and witnesses, is meticulously presented, propelling Kangaroo into a league of its own as a suspense-laden drama. Aditya has often been drawn towards cop roles, although not always captivatingly so. My favourite of his cop roles comes in Edegarike, where his performance stood out, and now in Kangaroo, he brings a similar essence to his charactersubtle yet commanding, devoid of extravagant fights. He navigates most of the narrative through conversation alone, with his eyes and facial expressions effortlessly drawing the audience into his investigations. Credit is due to director Kishroe for extracting such a performance from Aditya. Ranaini Raghavans role is equally compelling; she is the soul of the story, showcasing two extreme shades. Departing from her usual serial appearances, she delivers an impactful performance on screen, stealing the show in the climax while defining the traits of a kangaroo with precision. The supporting cast also shines, enhancing the investigative genre, complemented by Sadhu Kokilas evocative background score. Kangaroo maintains a high standard in the making throughout, ensuring the audience remains engrossed in the investigation and emotional bonds, especially in unravelling a kangaroos identity in this blend of crime and suspense. Kangaroo Director: Kishore Megalamane Cast: Aditya, Ranjani Raghavan, Nagendra Urs, Kari Subbu, and Ashwin Haasan Rating: 3/5
'Aa Okkati Adakku' movie review: A generic take on matrimony site scams
HYDERABAD : Somewhere in the beginning of Aa Okkati Adakku (AOA), a banter ensues between Gana (Allari Naresh) and his sister-in-law Devi (Jamie Lever). There are lines thrown around on how Gana hasnt lost his sense of humour even though he has become more serious lately. This is followed by a discussion about the need for a person to possess content, whether it is serious or funny. The meta nature of this exchange is not lost on the audience. After headlining back-to-back films (Naandhi, Ugram, Itlu Maredumilli Prajaneekam) that have marketed themselves upfront as social dramas with action, Allari Naresh seems to have returned to the screens with what looks like a comedy. By slyly acknowledging the fact that one can be funny despite adopting seriousness with age, we get the mission statement of AOA, which tries hard to maintain the balancing act. The result is a middling, ill-fitted mess. Naresh plays Ganapathi alias Gana, a middle-aged government employee. After a stable job and a house of his own, all he needs now is a wife to complete the well-settled trifecta. Playing a character close to his real-life age, much like Venkateshs Pellikani Prasadu from the iconic comedy Malliswari (there is also the naku caste feelings levu dialogue in common between both films), Naresh is the butt of his neighbours jokes, while being a source of concern for his family. Unlike Prasad from Malliswari who lives with his older brother and sister-in-law, what adds salt to Ganas injuries is the fact that it is his younger brother who is married with a kid. Surely enough, there is a sanctimonious backstory that explains why Gana has no luck in the arranged marriage market, but more on that later. Writer Abburi Ravi also uses the initial portions of AOA to establish the conservative expectations that surround the theatre of Indian marriage. On one hand, single women who consider joint families as deal breakers for marriage are bemoaned, while divorcees are tastelessly referred to as second-hand goods. Once Gana gets tired of neighbourhood aunty matchmakers, he decides to take the matrimonial service. Through them, Gana meets Siddhi (Faria Abdullah). There are motions of a courtship, till the story prefers to devote its runtime towards exposing the scams that operate behind matrimonial sites. While the films comedy is not the smartest or the funniest, it does keep things in an easygoing fashion. Jamie Lever, Harsha Chemudu and Hari Tejas characters in particular contribute to this lightness during their limited screen time, keeping things pleasant. The second half of the film lets go of the few merits from the first half into directions more serious and dare I say, unmemorable. After Siddhi rejects Ganas proposal for marriage, they meet again and instantly strike up a friendship. There are three songs to detail the progression of Gana and Siddhis semi-platonic relationship, who are in their early 40s and mid-20s, respectively. It is odd that a film not shy of displaying the age gap between its leads refuses to ever address it. There is a laundry list of superficial remarks playing out on how divorcees, middle-aged men, NRIs, unemployed men, men with loans, men with families, female doctors, female influencers and women who sound like men fare in the marriage market, but nobody in this universe finds anything wrong with really young women paired with an older man. For a film so filled with opinions, it seems odd that there is no commentary on this awkward situation. Now, there are ulterior motives behind Siddhi pursuing Gana, but what does Gana feel about dating women half his age? These questions echo in the vacuum that exists where Gana and Siddhis chemistry should have ideally been. The films warning cries on scammers, packaged into a drama, is equally hollow. I wish I could say I pondered about why the characters behaved the way they did, but I kept glossing over the details, hoping the film does get better as it goes. Different details of the film are thrown around like breadcrumbs and by the time you reach the end, the pay-off is not just unsatisfying, but also half-baked. A runaway groom (Raja Chembolu) and a hit-and-run victim (Goparaju Ramana) are a few examples of how the films subplots are given the appearance of something serious while they remain wafer-thin. The films final block, a courtroom drama, ideally an event that should give some meaning to what has happened so far, turns into exactly the opposite a reflection of the films lacklustre writing. It was so hamfisted, that it makes one wonder why we had any expectations in the first place. Allari Naresh and Faria Abdullah shine intermittently, and the joke is on us for believing the film could be anything more than that. Film: Aa Okkati Adakku Cast: Allari Naresh, Faria Abdullah, Jamie Lever, Hari Teja, Viva Harsha, Vennela Kishore, Ariyana Glory Director: Malli Ankam Rating:2/5
'Prasanna Vadanam' movie review: A gripping thriller-drama that perfectly plays to Suhas strengths
HYDERABAD : If you are walking into Prasanna Vadanam expecting a thriller, the first half an hour might belie your expectations to some degree. Even though the film unfolds with the visuals of a fatally injured Surya (Suhas) being taken to the ICU, the sequences that follow have a surprisingly laidback energy. We learn that the jovial, good-hearted Surya has managed to overcome the trauma, and learned to lead a normal life free of any emotional baggage. However, just as we are making peace with the narratives nonchalant demeanour, as Surya looks at people around him going about their life with a calm mundaneness on a rainy night, director Arjun YK turns the tables on us, reminding us of his storys true ambitions. The central conflict comes into place as Surya witnesses something horrific, and decides to do something about it. The cards fall in one swift move, instantly taking us into the middle of the action. From this point onwards, Prasanna Vadanam maintains tension in the narrative, springing up one twist after another, barely giving us time to think. Its hard to talk about Prasanna Vadanam without giving away spoilers, but the film truly gets into its groove around the interval mark when we get clarity on who the real antagonist is. Writer-director Arjun YK knows that any taut, thrilling narrative depends equally on its evil forces as much as its goodness, and creates an exciting villain figure here who is repulsive and riveting in equal measure. The film often catches us off-guard with its twists and developments; the antagonist stays ahead of not just the protagonist but the audience itself, and thats a win. Its easy to label Prasanna Vadanam as a plot-driven thriller, but a lot of the credit goes to the tension that stems from the unpredictability of the antagonist. We stay invested in the narrative on two levels, fearing and rooting for Surya while dreading the villains next move. What makes Prasanna Vadanam more compelling is that we are also made privy to the antagonists backstory and motivations, which makes the character more human while not compromising on the menacing aura the villain needs. Despite an occasional hiccup and a few logical loopholes, the narrative manages to keep us engaged due to this compelling cat-and-mouse dynamic between the good and the evil. Moreover, while maintaining its essence as a taut thriller, Prasanna Vadanam acquires a rather free-flowing tonality in the second half. The lines between comedy and tragedy occasionally get blurry in this story about an ordinary man straddling a chaotic situation, and Arjun YK makes space for some absurd humour too. There are plenty of moments in the second half where the protagonists vulnerabilities add to the tension, like a riveting action sequence that takes place in a public toilet. The director uses the dynamics of a constrained physical space to great effect, as we see Surya struggling to break free from the clutches of two psychopaths. At the same time, Prasanna Vadanam doesnt shy away from delving into moral ambiguity or the messier parts of its protagonist Suryas predicament either. At one point, Surya threatens a baddie with killing his infant baby if he doesnt help him out. We know Surya eventually wont do it, but are caught off-guard nonetheless, wondering for a quick moment whether Surya has actually become capable of evil, after enduring ill-treatment. In the final act, Arjun YK makes ingenious use of the romance track which up until now had felt completely perfunctory, without coming across as gimmicky. These portions offer a roller-coaster of emotions, as we empathise with Suryas helplessness while being fully aware that something macabre could occur at any moment, and this tension again goes back to having a tragicomic protagonist at its root. Prasanna Vadanam benefits hugely from an exemplary actor like Suhas, who breathes life into his role. The actor often elevates minor moments, lending a lot of rawness and humanity to a character that could have easily come off as a typical hero figure in the hands of another star. Suhas never makes Surya invincible, always reminding us of his ordinariness with small touches, like the one where his shoulder flinches after he pushes open a locked door, or when he desperately picks up a half-smoked cigarette from the pavement while being on the run for hours. These moments ring true, but more crucially, they remind us that, at its core, this is the story of a common man who is not above moments of deprivation or utter despair. Film: Prasanna Vadanam Cast: Suhas, Rashi Singh, Harsha Chemudu, Payal Radhakrishna Director: Arjun YK Rating: 3.5/5
Vaani Kapoor to star in 'Badtameez Gill'
On Friday, it was announced that Vaani Kapoor will be headlining a new comedy film titled Badtameez Gill. It is a coming-of-modern-age drama about a girl and her family set in Bareilly and London. It also stars Aparshakti Khurrana as Vaanis brother and Paresh Rawal as her father in the film. The film is helmed by Navjot Gulati, who has written Running Shaadi (2017), Ginny Weds Sunny (2020) and directed films like Jai Mummy Di (2020) and the yet-to-be-released Pooja Meri Jaan. Producer duo Nickky and Viicky in a statement said, Vaani Kapoor is headlining our ambitious project Badtameez Gill that is set to go on floors in the first week of May. Vaani will showcase a totally different side to her acting in our film that has its heart in the right place. We needed a gorgeous, confident girl who can be a riot for her family & her friends. Vaani is this person in real life. So, when we met her, we knew we had found our lead. She will light up the screen with her presence and hopefully we will entertain a lot of people with our film. The films first schedule is set to begin soon in Bareilly.
Mr & Mrs Mahi: Never A Dull Day At Work For Janhvi Kapoor. See Pics From IPL Match
Mahi's day out, Janhvi Kapoor wrote
Unni Mukundan-starrer Marco was formally launched in Munnar on Friday. The event was attended by Unni, director Haneef Adeni and other prominent team members. Billed as an action film, Marco is the spin-off of Mikhael, also directed by Haneef. The 2018-released film had Nivin Pauly as the titular lead and Unni as the antagonist, Marco Jr. The upcoming film will delve into Marcos past and his introduction to the world of crimes. According to the makers, it will be the most violent film ever made in Malayalam. The film will also be out in Hindi, Tamil, Telugu and Kannada languages. Marco is produced by Cubes Entertainments in association with Unni Mukundan Films. It has Chandru Selvaraj as the cinematographer, Shameer Muhammed as the editor and KGF-fame Ravi Basrur as the music director. Kalai Kingson has been signed as the action choreographer. Unni Mukundans upcoming slate also includes Vinay Govinds Get-Set Baby, the fantasy entertainer Gandharva Jr, the long-delayed Arun Bose-directorial Mindiyum Paranjum and the Tamil film Garudan, in which he stars alongside Sasikumar and Soori. Haneef Adenis last directorial was Ramchandra Boss and Co, a heist comedy starring Nivin Pauly.
Asif Alis new film with The Priest (2021) director Jofin T Chacko commenced on Friday with a pooja ceremony. Venu Kunnappillys Kavya Film Company and Anto Josephs Ann Mega Media are jointly producing the film. Its story is by Jofin and Ramu Sunil, while John Manthrickal has penned the screenplay. The upcoming film also stars Anaswara Rajan, Zarin Shihab, and Manoj K Jayan in significant roles. On the technical front, it has cinematographer Appu Prabhakar, editor Shameer Muhammed and music director Rahul Raj as part of the team. Asif Ali, last seen in a cameo role in Varshangalkku Shesham, has a slew of projects lined up. He recently wrapped up shooting for Adios Amigos, directed by debutant Nahas Nazar. Jis Joys Thalavan, alongside Biju Menon, Rohit VS Tiki Taka, Sethu Nath Padmakumars Abhyanthara Kuttavali and Arfaz Ayubs Level Cross are some of the actors other projects in different stages of production.
'Nadikar' movie review: A lost opportunity, high on broad strokes
In one of the early scenes of Nadikar, superstar David Padikkal (Tovino Thomas) is ready for his shot and starts reciting the lines that he has memorised. Feel evide? (Where is the feel?), shouts a veteran director (Ranjith), frustrated on seeing his lead actor hamming his way through, sans any emotion. This sequence comes after a well-shot montage illustrating Davids sudden propulsion to stardom, leading him to taking things for granted with an unmistakable air of arrogance. As the film progresses nonchalantly, one cannot be blamed if the audience, too, start pondering the same question. Feel evide? Several years after a streak of success catapulted him to fame, David is now gradually losing everything, courtesy a string of flops. The general public, the media, and his entourage are all questioning his relevance as an actor. It reaches a point where he becomes open to the idea of hiring a professional acting coach, who could potentially breathe new life into his waning career. Soon, Bala (Soubin Shahir), a dispassionate acting instructor with a strong theater background comes into the picture and it is anything but smooth for him to tame Davids tantrums. It is the second time Lal Jr is attempting a film centered around the life of a film star after Driving License (2019), which, thankfully, had the backing of a solid script that did not pull its punches. Coming to Nadikar, the intentions are evident in its portrayal of the evolution of an unruly superstar, but unfortunately, Suvin S Somasekharans lackadaisical writing approaches this narrative with broad strokes. Barring some of the sporadic humour, mostly involving Suresh Krishna and Balu Varghese, the film tries too hard to find a solid footing. Nadikar begins on a humble note with the video footage of an interview featuring Malayalams first superstar, Prem Nazir, sharing pearls of wisdom on how stardom is not a bed of roses and emphasising the importance of discipline to stay relevant. The film attempts to examine this notion of stardom as a meta-commentary in todays times, showcasing how the Malayalam film industry operates. Unfortunately, apart from barely scratching the surface of the underlying themes and featuring some customary tongue-in-cheek gags related to the industry, it offers hardly anything new that we have not seen before. The first hour of Nadikar moves at a brisk pace as it leaves no stone unturned in portraying Davids unhinged and insecure life as a junkie and womaniser, who cant move on from his ex-lover. However, it significantly falters in engaging the audience post the interval when David reluctantly starts embracing Balas pieces of advice on how to act. As David, Tovino does manage to deliver an impressive performance while walking a tightrope between portraying a haughty star consumed by vanity and a mediocre actor who cannot even care to move a finger to improve his craft. The film falters when it lazily tries to explore the inner turmoils of David as an orphan, which becomes the cornerstone of the characters reinvention as an actor. Soubin, too, gets to shine in a few emotional scenes opposite Tovino, but the writing around his one-note character leaves a lot to be desired. Among the supporting cast, the standout performer was the hilarious Suresh Krishna as Davids manager, reminiscent of Antony Perumbavoors association with Mohanlal, as referenced in the film. Balu Varghese, too, provides comedic relief as part of the entourage. It was also refreshing to see Bhavana in a composed-yet-fun portrayal, even though her limited presence is peripheral to the story. One aspect that soared high in the film is, of course, the costumes and styling departments who understood the assignment. While most of the technical departments were satisfactory, the sync sound and mixing felt subpar as many dialogues were partially inaudible. On the whole, Nadikar is a lost opportunity that lacks both energy and emotional connection. It could have been a compelling coming-of-age of a narcissist and a potent satire on the idea of stardom, but its unimaginative writing makes it a lacklustre affair. Film: Nadikar Cast: Tovino Thomas, Soubin Shahir, Bhavana, Suresh Krishna, Balu Varghese Director: Lal Jr Rating : 2.5/5
'Aranmanai 4' movie review: An in-form Sundar C finds the sweet spot between humour and horror
CHENNAI : Some ideas are par for the course in the Aranmanai franchise, like the nightly ghost routine, the not-so-novel use of heroines, the hit-or-miss comedy... Despite all of this, Aranmanai 4 doesnt succumb to franchise fatigue, mainly due to refreshing plot twists and Sundar Cs mastery of commercial filmmaking. Truth be told, the film doesnt get off to a good start. Advocate Saravanan (Sundar C) fights bad guys who are against a love marriage, with the scene serving as a mere exposition of his love for his sister Selvi (Tamannaah), who, we learn, eloped with her lover (Santhosh Pratap) 10 years ago. Having not heard from her for a very long time, the news of his sister and brother-in-laws sudden deaths shatter Saravanan, who leaves for the village where they reside to learn that their deaths arent as straightforward as being reported by the police. In fact, the veracity of their deaths comes under question. Things get murkier when Saravanan goes out on an investigation. And all of this is what Aranmanai 4 is all about. In a refreshing departure from the franchise, the evil being in Aranmanai 4 has no personal vendetta with the family in question. This wise choice by writers Sundar C, Venkatt Ragavan, and SB Ramadass has rendered the screenplay flexible enough to conjure mystery by showing seemingly unrelated events in random peoples lives that ultimately have a connection. Neither does the connection lack originality nor are we able to guess the eventual reveal. This suspense, a rarity in an Aranmanai film, is sustained gainfully in the first half. Discovering the presence of the evil creature, Baak, and certain qualities ascribed to it in the second half is instrumental in introducing the twists and the eventual challenges in taking it down. All of this adds spice to the second half. Audiences familiar with the Aranmanai franchise will not mind tonal inconsistency, especially when the comedy scenes evoke laughter. This film is an example of how comedy on paper can convincingly get replicated on screen. Just like the film itself, the comedy scenes also begin underwhelmingly but gradually get better. The pre-climax scene, in particular, is a laugh riot. Sundar Cs Saravanan is laudable for taking the back seat for the majority of the runtime. Feeling clueless about what happened to his family and what is going on in the village makes us empathetic towards the character. Morphing into a superhero for the climax fight has long ceased to be an oddity; it is still not readily acceptable given what we have seen of him for over two hours. Also, a relatively less problematic portrayal of the leading ladies makes Aranmanai 4 better than its predecessors. Tamannaahs Selvi is a compelling character, and the actors performance sells the mandatory flashback. To a lesser degree, Raashii Khannas Maya is useful too, and crucially, isnt wasted on a romantic track or relegated to being mere eye candy. The otherworldly elements in this film, no matter how far-fetched they are, still need to come with certain rules within the storys universe. And yet, I found myself wishing that the evil spirit had been written better and not restricted to just being the cause of jump scares. Another letdown is the supposed powers of the good spirit and how the film doesnt really get into it. These are scenes that try to make the most of VFX, which too is just par for the course. Yet, Sundar C keeps things engaging enough with suspense and twists, and add some effective comedy, emotional strength, and measured music by Hip Hop Adhi, and you have got the recipe for an entertaining Aranmanai film. The cameos at the end and the lead to a fifth installment only add to the intrigue, making a strong case for the extension of this franchise. Sundar C clearly has something to fall Baak on. Film: Aranmanai 4 Director: Sundar C Cast: Sundar C, Raashii Khanna, Tamannaah Bhatia, Santhosh Pratap, Yogi Babu, Kovai Sarala Rating: 3/5
Krishna joins hands with debut director Durai Saravanan for his next
CHENNAI : Actor Krishna is joining hands with first-time filmmaker Durai Saravanan for his next. The yet-to-be-titled film went on floors on Friday. The debut director is an erstwhile assistant of filmmaker A Venkatesh, who is also part of the films cast. The film marks the maiden production venture of EVEG Entertainment Nanjundappa Reddy and Brothers. Shedding light on the films plot, director Durai says, It is a comedy that will revolve around three thieves, whose lives are changed by an unexpected situation. The film is a commercial entertainer with elements such as horror, romance, action, and more. The film also stars Aadhya Prasad of Nizhal-fame as the female lead. Maran, Imman Annachi, Aaditya Kathir, Chaams, and director Venkatesh round out the cast of the upcoming film. Debut actor Santhosh will be seen as the antagonist in the film. On choosing Krishna for the lead role, the director shares, Krishna sir is adept at handling comedy and action. He was the perfect choice for the role, and sir came on board the film immediately after reading the script. Krishna The films technical crew comprises Peranmai-fame cinematographer SR Sathish Kumar, editor Vijay Velukutty who has previously worked on Thunivu and Mark Antony, and composer Srikanth Deva. We have planned three schedules for the film. It requires some CG work in post-production, so we are yet to finalise a release date. However, we wish for the film to hit theatres for Diwali, the director shares.
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Dua Lipa is all about Radical Optimism, in her music and other pursuits
NEW YORK: Dua Lipa is floating in the ocean, the sun just beginning to set behind her. She looks strong, serene save for the looming threat of a massive shark, fin just breaching the surface a few feet away. The image is the cover of her third album, Radical Optimism, out Friday. It is an apt visual representation for an album about finding and protecting your peace in dangerous waters a thematic maturation for the Grammy-award winning pop superstar, who has long identified her sound as dance-crying. That cheeky term encapsulates the clubby jubilance of her biggest pop hits, but Radical Optimism, with its psychedelic electro-pop, complicates it. Theres definitely something more cathartic that comes with the third album, she told The Associated Press recently. Future Nostalgia was my chance for me to be able to do a very polished pop-dance-disco record, she says of her 2020 sophomore release. Radical Optimism, alternatively, was informed by what shes learned from touring the world over the last few years drawing influence from trip hop and Britpop and including newfound interest in live instrumentation. It was so much more free flowing, she says of her latest albums creative process. And it didnt have a formula, per se, but I always had that pop sensibility in the back of my mind. But I wanted to just experiment and try and create something new. But I think this was always kind of the album that Ive always wanted to make. In more ways than one: Around her first album, Lipa wrote down that shed like to work with Tame Impalas Kevin Parker specifically on her third album. The manifestation worked, and he became a crucial collaborator on Radical Optimism. It was almost like something deep down, instinctively, was telling me that it was something earned, she says. That over time I would be able to go in and work with a creative that I was so inspired by, and to be in a room and learn from him. As for the albums title: Its euphoric, its togetherness, she says. Dance music has such a long history of creating such a safe space. And I just want to embody that, she adds. Shes been working hard to get there. Lipa, now 28, began her career at age 15, when she convinced her family to let her move from Kosovo to London, where she was born, to pursue a pop career. She went to school, modeled, and in 2017 released her eponymous debut album with the blockbuster dance-pop hits New Rules and One Kiss. Then came the nu-disco electropop of 2020s Future Nostalgia, which solidified her status as one of pop musics biggest players. Not bad for a unique voice in the streaming era, where capturing the attention of the masses and sustaining it has never been more of a challenge. In 2024, her pop songs contain a kind of learned elasticity. The melodies stack atop unusual synth sounds, the vocal range stretches (particularly on the cut Falling Forever), the dance breaks inspired by U.K. rave culture and format-benders Primal Scream and Massive Attack theyre all elements Lipa says she wouldnt have dared attempt on her last album. That came from working with Parker, producer Danny L Harle, songwriter Tobias Jesso Jr. (known for his work with Harry Styles and Adele ), and Lipas longtime collaborator Caroline Ailin. She understands how to handle a lot of opinions in the room, including her own, Jesso tells the AP. She doesnt value hers above anyone elses, she simply uses the ones which work best for what she is trying to achieve. We were a band, Lipa says of the group. The first day they wrote Illusion. The second day, Happy for You. (Id never written a song like that before, she points out. And I loved that version of myself.) The third day, the post-disco pop of Whatcha Doing. In bright, airy studios in London and Malibu, they finessed what would become Lipas most ambitious and euphoric-sounding record to date. That experimentation appears across Lipas endeavors, too. Shes acting more little baby roles! she says with a smile after playing Mermaid Barbie in the blockbuster Barbie (she also contributed the ubiquitous, Grammy-nominated song Dance the Night to the soundtrack ) and LaGrange, a sultry spy in Argylle (a brief performance AP film critic Jake Coyle described as the movies best few minutes ). In 2022, she founded a newsletter called Service95, what she views as an extension of a childhood blog, to tell stories from all around the world, not solely from a Western lens, she says. It has grown into a website, podcast and book club: Its just another hobby of mine that Ive somehow managed to turn into a job, which is just great, she says, smiling. My day job, which is my music career, which I love, comes with constantly being online. And I think for me, at least now Im searching for other things, and not doomscrolling on Twitter, she says of her media enterprise. At least this way Im like learning something new about the world. I love having that kind of duality in my life. Its a duality fueled by curiosity, like when Lipa made headlines late last year for challenging Apple CEO Tim Cook in an interview on her podcast over reports of children in the Democratic Republic of Congo mining cobalt for iPhones. That was scary, and really exciting, she says. You never really know what to expect when you go in to interview someone. A few days after visiting the APs New York headquarters, Lipa appears at a public high school on the Upper East Side of Manhattan to speak to students in a conversation moderated by Drew Barrymore. One of the things I admire about her is how incredibly intelligent she is, Barrymore says in her introduction, commending Lipa for not only being an icon, but someone who is globally aware. In conversation, Lipa is generous and warm, particularly to a freshman drama student named Dolce, who is also Albanian, and expresses a desire to make it in the entertainment industry. Lipa tells her that identity, intentionally or not, is woven into her music. At the end of the event, Lipa says she feels optimistic about life overall, everything that comes with it, and takes a moment to look out at the audience. Im the most optimistic about the next generation. And then, almost as swiftly as she arrived, Lipa leaves. A lingering positivity permeates the air. It recalls something she told the AP earlier in the week: that she strives to be violently happy in life and in her endeavors. You sometimes have to push yourself into that feeling, she says. Remaining grateful is definitely a muscle that needs to be exercised. On Radical Optimism, shes written the workout soundtrack.
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